Ian Astbury talks about “Spiritwalker”.
That’s paraphrasing a Native American prayer song that
some anthropologist deciphered, a traditional song. I’d taken some of that and
melded it with… maybe Buffy Sainte-Marie’s song “Starwalker.” That’s probably
where the title came from, because I remember listening to Buffy Sainte-Marie
at that time, and it was just so exotic and otherworldly. She was very present
when she sang, and I felt very connected to her voice and her music. It had
such incredible dignity, and it was so different from everything else we were
hearing, where it was distorted and angular and violent and dark and here was
this voice with an angelic quality. I think that was part of the liberation and
breaking through, and probably the optimism that went into things like “She
Sells Sanctuary.” We found that optimism, but we had to dig for it. We had to
dig for those jewels.
These are archetypal things I was picking up from
discovering things like Joseph Campbell and Buffy Sainte-Marie or even Jim
Morrison. All these things were flying around, and the songs “Spiritwalker” and
“She Sells Sanctuary” are quite similar, in a way. In fact, “Spiritwalker” was
going to be a Southern Death Cult song, but they didn’t want to do it for
whatever reason, so I said, “Fine, I’m leaving, and I’m taking my songs with
me.”
Ripped from the 12” single to spiritualised MP3 @ 320kbps
The Cult; Spiritwalker 12”
A. Spiritwalker
B1. A Flower
In The Desert
B2. Bone
Bag

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