I don't know, to these ears, Belfegore don't really have
much in common with the typical Goth rock of the time. For their major label
debut - with aspirations for the American market - the band has taken on a more
mysterious post-punk sound, albeit accessibly so, that is hard to pigeonhole.
From one song to the next, Belfegore keeps things fresh and unpredictable. Opener
and lead single "All That I Wanted" (which had a fantastic video to
go along with it that enjoyed MTV airtime once upon a time) is the sort of
anthemic and 'large' post-punk / hard rock hybrid that began infiltrating 1984;
with a riff that'll lodge itself into your psyche, enjoyable vocals and a
chorus catchier than the common cold, it introduced savvy, early 'alternative'
music all the way from Germany to unbeknownst MTV-hungry kids. But Belfegore
rarely stay in any one mode of operation, nor disappoint their listener as a
one trick pony, as the band ratchet up the forlorn haunting atmosphere in
"Questions," play with delicious synths on "Love," have
your booty shakin' by way of the throbbing techno-rock of "Wake Up With Sirens,"
coast along lazily for the absolutely hypnotizing "Seabird Seamoan,"
get hyperactive on "Don't You Run," bring out the groovy basslines by
the time "Comic With Rats Now" shows up, invite you down "Into
the Dungeon" - the one song that is goth rock, actually - before the singular
misfire occurs, the eponymously named record closer. Experimental sounds that
don't really seem to have much aim aren't my thing, but otherwise, everything
else is ace.
