45 Grave – Autopsy

Anyway…as Wiki says Autopsy is a compilation album by 45 Grave, released in 1987 by Enigma Records. Recorded in the band's early days, it contains previously unreleased songs (many originally written and recorded by guitarist Paul B. Cutler's first band, the Consumers) and alternate versions of tracks that were later re-recorded on the band's 1984 debut album, Sleep in Safety. Also included were the previously released 1981 single "Black Cross" and its B-side "Wax." "Black Cross" is 45 Grave's debut single, released in 1981 on Goldar Records. It and B-side "Wax" were not featured on their 1984 debut album, Sleep in Safety, but were both later included on the Autopsy collection, and remained staples of their live performances. Former Germs guitarist Pat Smear plays additional guitar on the B-side of the single.
If you were left wanting more of the rougher songs from 45 Grave's lone studio LP Sleep in Safety - like "Evil" and "Violent World" - "Autopsy" should come as a treat as it focuses on the early, hardcore days of the band. Paul B. Cutler fresh from his band The Consumers hooks up with Dinah Cancer (still going by the alias Mary Bat Thing) sometime in late '70s L.A. to form a new band. Cancer had been kickin' around with foundational death-rockers Castration Squad with the lovely Alice Bag, and when you're in tight with ex-members from Bags, Germs AND The Screamers - mainstays of '70s LA punk - well, you've got the makings of one of the scene's freshest, most unique groups to ring in the new decade: 45 Grave.

45 Grave - Sleep In Safety

Los Angeles' 45 Grave were the leaders of the 1981 death-rock explosion that also birthed, among others, Christian Death and (Dance With Me-era) TSOL. The group was a breath of fresh graveyard air and, unlike many serious gloomsters, always kept tongue firmly in cinematic cheek. Playing with punky venom and a slick metallic sound (the goth-horror edge made it an absolutely prescient mix), the fearsome foursome (later a quintet) was led by Phoenix-bred guitarist Paul B. Cutler and his vampiric inamorata, vocalist Mary "Dinah Cancer" Sims, rounded out by ex-Germs drummer Don Bolles and bassist Rob Graves (Ritter), also a member of the Bags and Gun Club.

If Christian Death trumped 45 Grave when it came to releasing a debut album (Only Theatre of Pain having surfaced a little while earlier) then there's no question that Sleep In Safety is easily the equal, if not better than the other band's initial effort. It doesn't hurt at all that Cancer is a much better singer than the chronically groaning Rozz Williams, for one thing, while the clear sense of humour 45 Grave never denied ensured that the band never entered the realms of relentlessly ridiculous self-parody. How could they, given how entertainingly off they already were with songs like "Riboflavin," in praise of the nutritious forms of blood the healthy vampire needs

The legendary "Black Cross"/"Wax" single and three cuts on the seminal Hell Comes to Your House compilation inaugurated 45 Grave's career in 1981, establishing the blend of Cutler's crisp, offbeat riffing and Cancer's artless, icy shrieks. By the time their first album shambled in, Paul Roessler had joined, adding his effervescent keyboards into the macabre brew. The consistently creepy Sleep In Safety contains most of the band's best songs: multi-textured creations like "Insurance from God," "Dream Hits" and "Phantoms" (an '82 single), the catchy "Evil," a delightfully unexpected Ventures-like instrumental "Surf Bat", the giddy "45 Grave" theme song and a fist-waving anthem "Partytime," redone the following year as the B-side to a snazzy version of Alice Cooper's "School's Out".

Fusing everyone's varying punk/trash/art backgrounds into a Goth rock overlay and then never letting themselves be suckered into actually going and digging up bodies, the members recruited Craig Leon for effective production work and the well-recorded Sleep In Safety scored underground hit after hit. There's no question that the band's legendary "Partytime" is the high point, a stop-start, quiet/loud horror of a Goth landmark that lets Cancer sneak in a bit of pretty creepiness before everyone fires up into a classic rock chug with a great shout-along chorus that Joan Jett would be proud of. What really works best is how the music is the most truly dark part of the band, Graves' bass playing and Culter's post-Banshees guitar parts hitting all the right notes. In turn, Cancer isn't so much a dark priestess of gloom as a commanding figure who has to be listened to. The hilarious part of the band comes to the fore from the start, thanks to the introductory message about the creators of the album being skilled insurance agents.