Allez Allez - Promises

Released in 1982, Promises is the polished major-label debut from the Belgian outfit Allez Allez, marking a transition from their raw post-punk roots toward a sophisticated "discoid funk" sound. Produced by Martyn Ware (of Heaven 17), the album is defined by Sarah Osborne’s commanding vocals—blending soulful singing with early pop-rap—and complex, danceable rhythms that align with the era's New Wave aesthetic. While contemporary critics sometimes dismissed the lyrics as overly ambitious or "arty," the record remains a cult classic of European funk, praised for its tight musicianship and its bridge between avant-garde club music and mainstream pop.

Allez Allez - Flesh & Blood 12''

Allez Allez’s 1982 12-inch "Flesh and Blood" is a quintessential piece of early 80s mutant disco, blending Belgian post-punk energy with polished British production from Heaven 17's Martyn Ware. Led by Sarah Osborne’s soulful, commanding vocals, the track is celebrated for its driving angular funk basslines, lush disco strings, and a high-energy horn hook that made it a staple of the era's club scene. While the A-side offers a sophisticated club mix, the B-side, "The Time You Cost Me," showcases a raw, percussion-heavy groove that rounds out the release. Today, it remains a cult classic, highly regarded by collectors for its seamless bridge between the grit of new wave and the infectious rhythm of the dance floor.

Allez Allez - Valley Of The Kings 12''

Allez Allez’s 1982 single "Valley of the Kings" is a landmark of Belgian post-punk that seamlessly blends moody new wave with sophisticated, world-influenced funk. Produced by Martyn Ware (of Heaven 17), the 12" title track is a dark, atmospheric piece defined by Sarah Osborne's sultry vocals and hypnotic, vaguely Middle Eastern-inspired instrumentation, while the B-side, "Wrap Your Legs (Around Your Head)," offers a tighter, jazz-funk groove. Critics praise the record for its high-gloss production and rhythmic complexity, regarding it as a "hidden gem" that bridged the gap between avant-garde dance music and 1980s pop sophistication.

Allez Allez - African Queen / Repetition - The Still Reflex 7'' / Heaven 17 - Penthouse And Pavement 12''

On the verge of an international breakthrough in 1981, Belgian based funky new wave band Marine, formed around singer Marc Marine, whose debut single ‘Life In Reverse’ was making waves, mislaid their founder member. John Peel had invited the act to perform a session for his show in August 1981; however singer Marc, whilst in London to record the session decided to quit. The band immediately replaced him with vocalist Sarah Osborne, who was at the time singing with London band and fellow label mates, Repetition; Marc eventually assembled a second version of Marine for his follow up single Same Beat.

Repetition, were a post-punk (also dubbed as Belgian post-punk) band which formed in the August of 1979. The band's initial line up was ex SpizzOil guitarist Pete Petrol, Ex Xtraverts drummer Tim Transe, keyboard player A.S.D.H. (Andy Hooper), bassist AWOL (Nicholas), and vocalist Sarah Osbourne. They were signed to Les Disques du Crépuscule after gaining the interest of Annik Honoré in 1979. First single 'A Still Reflex' was released in January 1981 and recorded at Spaceward Studios in Saffron Waldon, most notably produced by Joy Division’s manager, Rob Gretton. Owing to the connection with Brussels based Les Disques du Crepuscule the band toured in Belgium and the Netherlands in 1980 playing at Plan K in Brussels and the Effenaar in Eindhoven and appeared on Generation 80 TV show. Steve Musham joined the band during this period, playing bass initially, and then replacing Osbourne on vocals on the next single, ‘A Full Rotation', recorded at Berry Street Studios in London, in 1980.

Once Sarah Osborne was in place with the remaining members of Marine they promptly changed their name to Allez Allez and recorded their planned Peel session. The band then started to get regular play by Peel in the early 80's. Factoid; Allez Allez are considered to be the first Belgian act to perform a session for Peel's show. In the slipstream of their successful debut-single "She's Stirring Up", the mini-album "African Queen" aroused a lot more interest and became a gold selling record. It even earned them a place at the famous Torhout-Werchter festival in 1982. Allez Allez showed commercial potential, and following their indie mini album ‘African Queen’ the group signed with Virgin. Promises’ was produced by Martyn Ware of Heaven 17/Human League, and was released in November 1982. The album and singles unfortunately were not mainstream hits, and Sarah left the band to marry Heaven 17’s Glenn Gregory.