Showing posts with label 999. Show all posts
Showing posts with label 999. Show all posts

Sunday, 21 December 2025

999 - Emergency

A truly neglected classic, 999's eponymous debut album was issued in March, 1978, on the back of three stunning 45s; the romping "I'm Alive," the anthemic "Nasty Nasty," and the oddly ambitious "Me and My Desire." The first and last of these appeared on the album, together with the summer smash that never was, June, 1978's, "Emergency," and it is with these tracks as its benchmarks that 999 should be judged. A ferocious live band, the group harnessed every iota of their stage performance for the studio, turning in an album that zips past at the speed of light, in a blur of chant-worthy choruses and pogo-able riffs; even better, three bonus tracks round up the absent "Nasty Nasty" 45, plus a pair of period B-sides, to deliver a picture perfect portrait of 999's first year. There would, of course, be many more to come.
999 were founded in London by singer and guitarist Nick Cash, and Guy Days. Cash and Days met each other when the former was a member of the pub rock band Kilburn and the High-Roads, and the latter was a session guitarist who played on some of the band's demo tapes. In late 1976, they placed an advertisement in Melody Maker for band members and ended up turning down Chrissie Hynde (The Pretenders), Jon Moss (Culture Club) and Tony James (Generation X).
The band soon established themselves as a powerful live act on London's punk scene and became regulars at the Hope and Anchor, Islington. On the strength of their well received, self-financed debut single, 999 were signed to United Artists Records around the same time as Buzzcocks. "I'm Alive" became a firm favourite in the punk clubs. The band's second single, "Nasty Nasty", was cited nearly 20 years after its release as a seminal punk single.
Their self-titled debut album, produced by Andy Arthurs, was released in March 1978. One retrospective review claimed it "demonstrated their limitations as well as their strengths. The 45 cuts like "Me And My Desire" and "Emergency" demonstrated the latter, but the album lacked that special ingredient, uniqueness or originality to make it stand out from the crowd." The album reached No. 53 in the UK Albums Chart. The following year, the song "Emergency" from the album appeared (alongside songs by bands like The Jam and The Stranglers) on the punk compilation 20 of Another Kind. That album reached No. 45 in the UK chart. Years later, "Emergency" was included in Mojo magazine's list of the best punk rock singles of all time.

999 - Separates

What really makes Separates a better package than the debut album is the change of style. A prodigious album that kicks off in a rockier direction, the band explores the pop terrain much further, adding variation to the boring punk of the first release. The recruitment of Martin Rushent as producer was something of a coup, songs like 'Feelin' Alright With the Crew' and 'Homicide' feature a cleaner sound more aimed towards the charts. Cash's knack for interesting, thoughtful, sometimes witty lyrics, first demonstrated on the debut, bears full fruit here. Traditional rock riffs are also found here on songs like 'Subterfuge' and the excellent 'Wolf' which make 999 closer bedfellows with Squeeze instead of Stiff Little Fingers. Despite these mainstream leanings, this is still a new wave/punk album through and through. 'High Energy Plan' is as scathing as anything on the first album. This is the release to get if you're interested in 999, despite that goddamn awful album cover. Separates is a marked improvement over their debut and it’s impossible not to retain a soft spot for a thing of warped beauty that is also, something of a treasure.