Showing posts with label Bad Religion. Show all posts
Showing posts with label Bad Religion. Show all posts

Wednesday, 29 July 2026

Bad Religion - The Process Of Belief

The Process of Belief is the twelfth studio album by American punk rock band Bad Religion, released on January 22, 2002, through Epitaph Records. The album is widely celebrated by fans and critics as a major "return to form," revitalising the band's signature fast, aggressive, and highly melodic hardcore punk sound after a period of major-label experimentation. This record marked the official return of founding guitarist and co-songwriter Brett Gurewitz after a seven-year hiatus, reuniting him with frontman Greg Graffin. It also introduced powerhouse drummer Brooks Wackerman, whose precise, hyperspeed drumming injected a fresh energy that redefined their rhythm section into a dense, driving triple-guitar assault.
The album is remarkably cohesive, clocking in at just under 37 minutes across 14 tracks and debuted at number 49 on the Billboard 200. It features standout singles like "Sorrow" (the album's biggest hit single, heavily inspired by the biblical story of Job) and "Broken", alongside fan-favourite political anthems regarding climate change like "Kyoto Now!". Reviewers from outlets like AllMusic praised its stellar production and aggressive hooks, while fans frequently rank it among their best 21st-century output alongside classics like Suffer and No Control.


Bad Religion - Stranger Than Fiction (Deluxe Edition)

Stranger Than Fiction (Deluxe Edition Remastered) is the expanded reissue of the seminal eighth studio album by the American punk rock band Bad Religion. Originally released on 30 August 1994, the record marked the band's major-label debut with Atlantic Records and stands as their most commercially successful release, earning Gold certifications in both the United States and Canada. The album is a definitive high point in melodic hardcore, seamlessly blending the raw, fast-paced energy of their early roots with sophisticated harmonies and frontman Greg Graffin’s intellectually charged, socially critical lyricism. It is highly celebrated for spawning alternative rock radio hits like "Infected" and the iconic re-recorded version of "21st Century (Digital Boy)."
This deluxe edition offers the definitive listening experience by expanding the original 15-song tracklist to an 18-track collection with a total runtime of approximately 45 minutes. The reissue brings together rare, highly sought-after material that was previously exclusive to international pressings and vinyl B-sides, specifically the fast-templed tracks "News From The Front," "Markovian Process," and "Leaders And Followers." Featuring notable guest appearances from punk legends like Tim Armstrong of Rancid and Wayne Kramer of the MC5, the remastered edition preserves the crisp, aggressive production of the 1994 original while updating it for modern high-fidelity streaming platforms and vinyl reissues.


Monday, 20 July 2026

Bad Religion - No Control

At the tail end of punk’s first wave, Bad Religion combined the catchy, no-frills simplicity of The Ramones and the social conscience of The Clash with the sound and spirit of their LA predecessors, The Germs, and OC contemporaries, The Adolescents. Songwriters Greg Graffin and Brett Gurewitz were as versed in Carl Sagan as they were three-chord thrash when they perfected their melodic polemics on ‘No Control,’ released in November, 1989.
There is arguably no better example of short, fast, aggressive bursts of melodic punk music than ‘No Control.’ At 300 bpms, the album speeds along with stripped-down song structures akin to early rock 'n’ roll and thought-provoking lyrics more likely to send fans to the library than the liquor store. Thirty-four years later, ‘No Control’ sounds as vibrant, and as immediate, as ever.
When they played their first show more than 40 years ago, in November, 1980, nobody in Bad Religion was old enough to vote. Gurewitz was 17 when he wrote his first batch of punk classics; Graffin was 15. The vocal harmonies and driving beat that would become their signature were already there on their debut album, 1982’s ‘How Could Hell Be Any Worse?’ The bizarre prog-rock follow-up, ‘Into The Unknown,’ was a keyboard-heavy misstep, but Bad Religion came roaring back to form in 1987 with a record called ‘Suffer.’
‘Suffer’ had already wound the meter on Bad Religion's Cali hardcore even tighter; ‘No Control’ simply and forcefully continued the shift, delivering a pummel of melodic song writing made sharp by Greg Graffin's populist cynicism and the stinging barbs of a twin-guitar strike. The remastering for the 2004 version greatly amplified the album's volume. It might also strip away some reverb from the instrumentation, but the latter observation is mostly theoretical, as the later ‘No Control’ really just sounds louder. This is welcome, as it makes the band sound that much more direct. ‘No Control’ is not a bad record, in fact I would go as far to say that of all the bands extensive catalogue it is this record that I will listen to when I get ready to go out to a show. Its speed is relentless and when the band slow things down to a still pacey half-time chug the next speed fuelled riff is only a minute or so away.
Singer Greg Gaffin as well as delivering a faultless vocal performance on the whole album penned the best line on the track No Control itself as well “Questions that besiege us in life are testament of our helplessness”. It’s a great albeit brief observation that sums the record up for me. It simply shows how grounded the band are, how un rock star a group of individuals in a band can be. They know that no matter how clever their sloganeering, no matter how corrupt politics and religion is in America, nothing they can do with Bad Religion will change that. Music can change an individual’s life but whilst the majority of the world do not listen to nor care about messages in popular music a world shift in political and religious thinking is an unrealistic and foolhardy dream. As if just to nail the message home the final song informs us that “The world won’t stop without you” A pessimistic outlook maybe but never has a truism inspired me so much as to try and make at least some kind of difference with my life.

Bad Religion - How Could Hell Be Any Worse?

Bad Religion's debut album quickly set the band apart from their early '80s hardcore peers with its erudite themes and lyrical content. Musically, the album follows the era’s hardcore punk template - a low-fi, rudimentary, furious up-tempo interpretation of garage punk; but Bad Religion’s USP was to always insert light amongst the shade. Though ahead of their time, there was no mistaking Bad Religion’s outlook: the album sleeve features downtown Los Angeles, with the title questioning rampant post-modern capitalism and its attendant requirement for corporate greed, war, class inequality, plus the moral turpitude of fundamental Christianity, themes the band would revisit time and time again throughout their ensuing career.

Bad Religion - Bad Religion 7”EP

Credited with revitalising the '80s Californian punk scene with their melodic and intelligent brand of hardcore punk, Bad Religion formed in 1980 in a suburban district of LA's San Fernando Valley. Originally featuring vocalist Greg Graffin, guitarist Brett Gurewitz, bassist Jay Bentley and drummer Jay Ziskrout - all pupils at El Camino Real High School - the group would develop into the bridge between the rudimentary hardcore of Black Flag/Circle Jerks and the melodic pop-punk served up by younger Californian acts Green Day, The Offspring and more. Bad Religion’s own punk rock is rooted in the Californian sound; breakneck hardcore featuring their trademark melodic and much-imitated ‘oozin’ ahhs’ harmonies. But where SoCal pop-punk pioneers the Descendents sang about farting and food, Bad Religion focussed on societal ills, driven by their progressive outlook and secular humanism. In 1980, Bad Religion's guitarist founded Epitaph Records with a $1500 loan from his father in order to document the group’s debut 1981 self-titled EP.
This EP kicks off with the rather unimaginative 'Bad Religion', which is actually kind of a blast of a track. The problem is that Graffin's vocals are about as unclear as could ever be in this track and you have no idea what he's saying except for when he's saying 'Bad Religion'. I wouldn't say the record stays this strong the whole way through. But it's important to have a strong intro track, especially in an EP where it'll be more memorable than on a full sized album. Nothing is particularly bad on here, but it's a very samey release, even by Bad Religion's standards (which is surely saying a lot!). Alas, 'Slaves' is quite oddly a bit of a singalong-ish track (even if you're not too sure what you're supposed to be singing along to exactly) and Drastic Actions is one of those songs that always draws my attention. The bass riff sticks in your head, but so do the lyrics. Listen to it and tell me the lyrics don't stick in your head - I challenge you! And the whole thing ends with 'World War III', which in my opinion would have done much better in the middle and some kind of interlude given its length. Alas forgettable, but not all bad. I guess the whole record is slightly forgettable all-in-all. A few good tracks, yes, but Bad Religion were still finding themselves here.