Saturday, 28 February 2026

Various Artists - Wanna Buy A Bridge?

Rough Trade, a British indie label founded by Geoff Travis, was rock's first successful collective and a strong supporter of the arty, left-leaning post-punk music that emerged in the aftermath of the Sex Pistols. This U.S.-only compilation introduced Americans to some of the exciting, innovative music released by Rough Trade between 1977 and 1980. The collection's opening number is the closest to Pistols-era punk rock: "Alternative Ulster," a blistering Irish anthem recorded by Stiff Little Fingers in 1978. Next in the collection is Delta 5's "Mind Your Own Business," a 1979 recording that proves that abrasive, self-consciously ironic music can also be incredibly catchy; the guitarist slices through the propulsory funky rhythm created by the band's drummer and two bassists, while the vocalist spits out the words with increasingly intense sarcasm. Other highlights include "Soldier Soldier," a protest punk song by Spizz Energi; the exuberant "Ain't You" by Kleenex, an all-female Swiss band that later changed its name to Liliput; the Pop Group's "We Are All Prostitutes," a chaotic punk-funk-disco political rant with distorted guitar, drums, saxophone, and cello; "Part Time Punks," a beguilingly amateurish name-dropping classic by Television Personalities; the Raincoats' remake of "Man Next Door"; a reggae number by Jamaican singer John Holt (whose "The Tide Is High" became a hit for Blondie); and Robert Wyatt's surprisingly haunting rendition of Chic's "At Last I Am Free." Overall this may be the best single-album collection assembled of post-punk music.
In 2013, Tal Rosenberg wrote in Chicago Reader that Wanna Buy a Bridge? "...is probably best known as one of the finest, if not the finest, collection of British postpunk music." Another favourable review of the album was written by Robert Christgau, who gave it an A and called it "superb". Mark Richardson of Pitchfork later described the album as a key example of "label comps actually [becoming] classics in their own right:" "I've never heard Wanna Buy a Bridge?, but the fact that I've heard of it, 23 years after its release, speaks to its classic status."




Ripped to MP3 @ 320kbps


Track listing and usual gubbins here

9 comments:

  1. I have this awesome comp but my copy has a green sleeve.

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    1. I know that there are different coloured sleeves but I've only ever seen blue ones. Green must be pretty rare François.

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  2. Mine is green too. I have to wonder about the writers at Pitchfork. "I've never listened to this album, but the title sounds familiar, which leads me to assume that it must be important in some way."

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    1. I wasn’t going to post the quotes but some of the ridiculous things that I’ve read while researching my posts, Mark Richardson was hilarious 😂

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    2. Usual moronity of Pitchfork's reviews

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    3. I'll agreed with that François

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    4. S'truth all and well said- Pitchfork started out with it's head well up between it's own cheeks where it promptly fell in love with the view....
      That said,this truly IS one of the great comps of all times, a richness of great songs and a rainbow of different musical approaches. I wish more compilers had learned more about how to do it right from Wanna Buy A Bridge.
      Thanks for the chance to hear it again!
      respect,
      d

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    5. dugg, you're more than welcome, and thank you for taking the time to comment on a nearly 2 year old post

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  3. Thanks for this!!! I've been looking for this for a while now.

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