Timber Tongue (1995) is a four-track experimental EP by avant-garde artist Danielle Dax, marking her final major musical release before entering a 27-year hiatus. Issued on her own Biter of Thorpe label as a clear 12" vinyl, the record eschews her late-80s alternative pop sound to return to uncompromising, self-produced industrial terrain. Collaborating with multi-instrumentalist David Knight, Dax weaves tribal rhythms, mechanized loops, and surreal found sounds—like toys and chanter pipes—into hypnotic, dark electronic soundscapes. Visually complete with her own "Urban Pantheist" cover art, the EP remains a highly collectable, rhythmically dense artifact that brilliantly showcases Dax’s enduring radical creativity.
Released in 1995 on her independent Biter of Thorpe label, Danielle Dax’s Timber Tongue EP serves as a fascinating, rhythm-heavy departure from the psych-pop accessible textures of her late-80s major-label eras. Stepping back into the self-produced avant-garde wilderness, Dax crafts an unsettling and heavily texturized world dominated by mechanized beats, industrial loops, and found-sound curiosities like toys and chanter pipes. The Title Track and the driving rhythm of "Toygit" show Dax shedding conventional pop structures in favour of tribal electronic grooves, utilizing her elastic vocals more as abstract soundscapes and instrument layers rather than standard melodic vehicles. It is a brilliantly uncompromising piece of electronic art that recaptures the fierce, independent spirit of her earliest solo works.
The release is equally notable for its physical and visual package, existing as a final creative statement before Dax entered a nearly three-decade music hiatus. Adorned with her own striking "Urban Pantheist" paintings on the sleeve and pressed onto a beautiful, translucent clear vinyl, the 12" is a highly sought-after artifact for collectors of 90s experimental electronica. Tracks like "Uru Eu Wau Wau" highlight the collaboration with long-time multi-instrumentalist David Knight, blending organic chaos with rigid machine programming to achieve a dark, hypnotic atmosphere. Ultimately, Timber Tongue stands as a compelling, rhythmically complex bookend to Dax's 20th-century discography, proving that her boundary-pushing vision remained entirely intact even as she walked away from the music industry.
Ripped to MP3
A1: "Toygit"
A2: "E.V.I.L. T."
B1: "Timber Tongue"
B2: "Uru Eu Wau Wau"
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