Originally issued in 1983, No Songs Tomorrow, the debut LP from Yorkshire, England disenfranchised youth UV Pøp, can be summed up in one word: bleak. The album opens with the brittle title track, a sparse blend of crackly drum machine and ghostly guitars backing up the beginning lyrics "I had to cry today...." Right off the bat, No Songs Tomorrow sets itself up as an emotional trudge, and not in the over the top and sometimes laughable way that more successful bands of the same nature were sometimes mocked for. Unlike the Cure's smeared eyeliner theatrics or even the truly dire feel of the legendary Joy Division, UV Pøp are miserable without a hint of mystery. Their songs exist in a place after hope, beyond the pale and to the point of dull, regular, unremarkable sadness. "Portrait [Extended]" goes for a more Goth take on the moody pop of the Psychedelic Furs, but again, the lyrics undo whatever slight chance the song had at commercial appeal with their starkly alienated look at the horrors of youth. "Some Win This" is up there with the most driven Death in June tracks with its haunted acoustic guitars and hollow atmosphere. Around the time of this release UV Pøp were compared to the pre-industrial dourness of Cabaret Voltaire, possibly because of their skeletal arrangements and use of damaged rhythm box sounds. Tracks like the blistering "Sleep Don't Talk" are where these comparisons ring truest. The distorted vocals and pummelling dual synth lines all border on complete noise, held together and pushed forward by a 200-bpm drum machine pattern. The album is split between barren traditional songs and numbers of lengthy experimentation. "Commitment" is a dated soundscape; an ominous bassline is ornamented by saxophone blasts and audio from a televangelist's sermon. Along with the anti-religious spoken piece "Psalm" and the go-nowhere instrumental "Hafunkiddies," "Commitment" is one of the moments that jumbles No Songs Tomorrow, taking away from the dark vibes and sounding like filler. These sounds were probably smoky and terrifying in 1983, but in a post-Negativland world, recontextualized sound samples and heavy-handed audio tricks have been done to death and no longer make much impression. The 2012 Sacred Bones reissue sees the album available digitally for the first time and includes three previously unreleased bonus tracks. Unfortunately, these tracks fall more in the filler department, with more found-sound samples and the dirgeful sea shanty "Amsterdam." Though inconsistent, No Songs Tomorrow gets by on the immense strength of its most realized songs. It's a lost classic for those songs alone, and a masterpiece in bleakness made only slightly less brutal with the passing of time.
Ripped to MP3 @ 320kbps
A1 No Songs Tomorrow
A2 Portrait (Extended)
A3 Some Win This
A4 See You
A5 I.C.
A6 Psalm
B1 Sleep Don´t Talk
B2 Commitment
B3 Arcade Fun
B4 Hafunkiddies
B5 Four Minute Warning
Available from their Bandcamp Store

Cure-Pornography is my favorite bleak. Big Jam fest with Rob Zombie and Sleaford!
ReplyDeleteStill searching for New Wave but did find HuH! Magazine 15 count VA, mostly rock and metal with one techno, the Joy Division movie soundtrack and Manchester Sound VA, those were bought as mint new discs and then ripped and encoded to FLAC.
In need of a file hoster account, checking out Mega.
Update-The J.D. movie is called Control and it's not Manchester Sound but 24-7 Party People movie OST, the 24-7 has a hole punch in the UPC for cutout bin but it is all killer and no filler good tracks.
ReplyDeleteThank you for this!!!!!
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