When The Stranglers released their magnificent fourth
album The Raven in 1979, they were praised for writing songs about more
esoteric matters. Two of these matters were religion and extra-terrestrial
life, as well as the introduction of the mysterious governmental (or possibly
alien) men in black. The band’s obsessive follow-up in 1981, The Gospel
According to the Meninblack, was a concept album based entirely on these
matters but unfortunately alienated (no pun intended) many fans and critics for
its unusual theme and experimental nature, leading to it being widely regarded
as a dud album. Fortunately, the beauty of hindsight means we can identify how
wrong these fans and critics were.
To start with, the darker songs are offset by an element of fun that was rarely displayed on The Raven, from the wonderfully weird extra-terrestrial waltz of opener ‘Waltzinblack’ to the first single ‘Just Like Nothing On Earth’, with Hugh Cornwell rapping stream-of-consciousness lyrics in its verses. Dave Greenfield’s use of futuristic synths rather than psychedelic keyboards also enabled the band to create progressive and darkly hypnotic pieces like ‘Turn the Centuries Turn’ and ‘Hallow To Our Men’ just as easily as the poppy and upbeat new-wavers like ‘Two Sunspots’ and ‘Thrown Away’.
The batty and light-hearted lyrics of ‘Just Like Nothing On Earth’ are also a common theme (especially considering that many of the darker pieces are instrumentals). For example, how many bands could write a song about aliens like ‘Waiting for the Meninblack’ and include a line like “I’m clutching my teddy-bear, if I don’t I might die of fright”? And how many of those could address the second coming of Jesus Christ (‘Second Coming’) by hypothesising that “he may be ugly and have problem hair, even speak funny and make all the people stare”? Such joyful blasphemy could only come from punk’s great provocateurs.
Perhaps the serious but acclaimed subject matter of The Raven is why fans and critics disliked Meninblack, but in doing so they failed to spot a clever trick employed by The Stranglers. By making a concept album as knowingly silly and pretentious as this one, it comes full circle and turns into possibly the wittiest and most fun album they’d made to date, as well as being right up there among the best. Just make sure you put on your tinfoil hat before you play it – the Meninblack might also be listening…
To start with, the darker songs are offset by an element of fun that was rarely displayed on The Raven, from the wonderfully weird extra-terrestrial waltz of opener ‘Waltzinblack’ to the first single ‘Just Like Nothing On Earth’, with Hugh Cornwell rapping stream-of-consciousness lyrics in its verses. Dave Greenfield’s use of futuristic synths rather than psychedelic keyboards also enabled the band to create progressive and darkly hypnotic pieces like ‘Turn the Centuries Turn’ and ‘Hallow To Our Men’ just as easily as the poppy and upbeat new-wavers like ‘Two Sunspots’ and ‘Thrown Away’.
The batty and light-hearted lyrics of ‘Just Like Nothing On Earth’ are also a common theme (especially considering that many of the darker pieces are instrumentals). For example, how many bands could write a song about aliens like ‘Waiting for the Meninblack’ and include a line like “I’m clutching my teddy-bear, if I don’t I might die of fright”? And how many of those could address the second coming of Jesus Christ (‘Second Coming’) by hypothesising that “he may be ugly and have problem hair, even speak funny and make all the people stare”? Such joyful blasphemy could only come from punk’s great provocateurs.
Perhaps the serious but acclaimed subject matter of The Raven is why fans and critics disliked Meninblack, but in doing so they failed to spot a clever trick employed by The Stranglers. By making a concept album as knowingly silly and pretentious as this one, it comes full circle and turns into possibly the wittiest and most fun album they’d made to date, as well as being right up there among the best. Just make sure you put on your tinfoil hat before you play it – the Meninblack might also be listening…

Ripped to MP3
1. Waltzinblack 3:38
2. Just Like Nothing On Earth 3:55
3. Second Coming 4:22
4. Waiting For The Meninblack 3:44
5. Turn The Centuries, Turn 4:35
6. Two Sunspots 2:32
7. Four Horsemen 3:40
8. Thrown Away 3:30
9. Manna Machine 3:17
10. Hallow To Our Men 7:26
11. Top Secret 3:27
12. Maninwhite 4:27
1. Waltzinblack 3:38
2. Just Like Nothing On Earth 3:55
3. Second Coming 4:22
4. Waiting For The Meninblack 3:44
5. Turn The Centuries, Turn 4:35
6. Two Sunspots 2:32
7. Four Horsemen 3:40
8. Thrown Away 3:30
9. Manna Machine 3:17
10. Hallow To Our Men 7:26
11. Top Secret 3:27
12. Maninwhite 4:27
COOL!!!
ReplyDeleteThe Stranglers have always been cool
DeleteMany thanks
ReplyDeleteYou’re welcome
DeleteMany thanks for this. Anyone out there having a flac version of "Feline"?
ReplyDeleteIt semms not to be a very popular record.
Cheers to all
I’ve been looking for FLAC copies of all Stranglers albums. You’ll know when I find one
Delete"Just Like Nothing On Earth" is one of my all-time favorites
ReplyDeleteI struggle to pull any track over the others as a favourite...Just Like Nothing On Earth might edge it one day, but Two Sunspots might on another
DeleteThank you very much. Great album!
ReplyDelete