Kim Shattuck spent five years playing bass with the
Pandoras before she left and formed a band of her own, and as a result the 1993
debut album from the Muffs is a bit like Shattuck's pop-punk version of George
Harrison's All Things Must Pass; having spent years piling up demos for
worthwhile songs that didn't have a home, Shattuck and her bandmates had plenty
of winners to choose from, and though the Muffs could more than deliver the
goods, it's the consistent quality of the tunes that really made this album
click. The punky, downstroked guitars of Shattuck and Melanie Vammen and the
crash-and-bash rhythms of bassist Ronnie Barnett and drummer Criss Crass were
the perfect vehicle for Shattuck's songs, but it's the irresistible melodic
hooks of "Eye to Eye," "Lucky Guy," "From Your
Girl," and "Every Single Thing" that elevated The Muffs from
good pop-centric punk (or punk-centric pop) to something that truly stood out.
Shattuck also proved to be an astute and skilful lyricist, with a strong witty
streak and a punk gal's snarky sensibility, but her take on relationships on
The Muffs is significantly more articulate and heartfelt than nearly any of her
peers; it's hard to imagine someone delivering two breakup songs that hit their
target as well as "Saying Goodbye" and "All for Nothing"
while taking such strikingly different approaches, and it takes courage to wrap
a song about stalking around a melody and guitar hook as addictive as
"Everywhere I Go." The production by Rob Cavallo and David Katznelson
is just a bit indulgent; the album could have played better without the Korla
Pandit organ interlude, the goofy wind effects track, or the 31-second Angry
Samoans cover; but they get the sound of this band down beautifully, and given
how closely Cavallo would follow this production template on Green Day's Dookie
the following year, one wonders if a few of these tunes could have been radio
hits if Billie Joe and his pals had gotten there first and greased the wheels
for an album of similarly hooky punk tunes. Time has been kind to The Muffs,
and more than 20 years after its initial release, it sounds like one of the
best and brightest albums to emerge from the '90s pop-punk explosion.
The recent passing of Kim Shattuck compelled me to relisten
to this underrated Pop Punk release and it still retains its charm and appeal.
Pretty catchy melodic rockers punctuated by Shattuck's bratty and throaty
vocals make this quite a cruise from start to finish.
Ripped from the 2015 expanded CD edition to FLAC
The Muffs; The Muffs
1. Lucky
Guy
2. Saying
Goodbye
3. Everywhere
I Go
4. Better
Than Me
5. From
Your Girl
6. Not
Like Me
7. Baby
Go Round
8. North
Pole
9. Big
Mouth
10. Every
Single Thing
11. Don’t
Waste Another Day
12. Stupid
Jerk
13. Another
Day
14. Eye
To Eye
15. I
Need You
16. Al
For Nothing
17. Lucky
Guy (Radio Mix)
18. Everywhere
I Go (Cassette Version)
19. All
For Nothing (4 Track Demo)
20. Do
You Want Her (4 Track Demo)
21. I
Don’t Expect It (4 Track Demo)
22. My
Face (4 Track Demo)
23. Something
On My Mind (4 Track Demo)
24. Ethyl
My Love (4 Track Demo)
25. Not
Like Me (4 Track Demo)
26. Saying
Goodbye To Phil (4 Track Demo)
27. Untitled

Cool! Interesting bit of trivia: Melanie Vammen later joined The Leaving Trains, whose singer (Falling James) was Courtney Love's ex-husband. It was a snide comment from Courtney to Kim Shattuck that allegedly gave the Muffs' album "Blonder and Blonder" its title.
ReplyDeleteI'd read that Ms Love had been the inspiration behind Blonder, but I didn't know the background, thanks for that titbit Jonder
DeleteThanks AJ.
ReplyDeleteWelcome Zipper
Delete