Released primarily to cut down on bootlegs of the same
concerts from early 1980, Paris au Printemps catches Public Image Limited at
the peak of the band's career. While the album was criticized at the time for
being nothing more than a live album and thus not adhering to the group's
avant-garde rhetoric, the music more than makes up for any breakdown in the
band's ideology. Jah Wobble issues forth pseudo-reggae liquid basslines while
John Lydon moans and whelps over heavy, almost free-form guitar from Keith
Levene. Although the songs remain quite similar to their album versions, there
are far more prominent synth effects on this recording, adding more of an
element of dark psychedelia to the mix and enhancing the menacing aspect to
such songs as "Bad Baby," and the droning "Careering."
Meanwhile, the epics -- "Theme" from First Issue, and
"Poptones" from Metal Box -- sound arguably even better live.
Unfortunately, while the music is great, the album has been pasted together
quite sloppily from two concerts, placing the tracks in a bizarre order while
leaving out some of the group's best numbers. Nonetheless, Paris au Printemps
is a fine release, especially in the absence of any other live recordings of
the band from this period.
Ripped from the Japanese 2015 SHM edition CD to FLAC
Public Image Ltd.; Paris Au Printemps
1. Theme
2. Chant
3. Careering
4. Bad
Baby
5. Lowlife
6. Attack
7. Poptones
More from the Public Image archives here

A snapshot of PIL in concert I was in the audience their last good release in my opinion
ReplyDeleteYeah, I'd agree with the last decent release, although The Flowers... does have a couple of moments where the light shines.
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