Honolulu Mountain Daffodils

A scatter-brained and perhaps drunken recording entity based on the collective talents of guitarist Joachim Pimento, fuzz guitarist/keyboardist Zoe Zettner, fuzz guitarist/vocalist Lord Sulaco, fuzz guitarist/percussionist Daiquiri J. Wright, fuzz guitarist Franklin Silverheels, and bassist Smoky Alvaro (yes, they apparently liked the sound of a fuzz guitar), the Honolulu Mountain Daffodils gathered occasionally throughout the late '80s and early '90s to patch together records that threw almost anything imaginable into a blender (from Kraftwerk to Tom Waits to the Ramones to Black Sabbath to Neu! and all points between). The ill-rehearsed results were always uneven, but a fun time was guaranteed each time they gathered into a studio. The only true ambition of the Daffodils was to have their records exist in obscurity until developing a cult of fans via a steady slew of dollar bin discoveries. In fact, as legend has it, the artwork for the 1987 album Guitars of the Oceanic Overgrowth was designed to look as if it had spent at least two decades gathering dust in a record shop's sunshine-prone window display. Guitars’ was their first album and was followed the next year by Tequila Dementia, and then the trilogy was completed three years later by Aloha Sayonara (the Psychic Hit-List Victim EP was released in 1991). Apparently the band split up soon thereafter; lord (or Lord Sulaco) knows why.

Ripped from a vinyl album, found in the reduced bin with a tatty looking cover to FLAC

 Honolulu Mountain Daffodils; Guitars Of The Oceanic Overgrowth

A1.  Hanging On The Crosses (By The Side Of The Road)

A2.  Wolverine

A3.  Electrified Sons Of Randy Alvey

A4.  Guitars Of The Oceanic Overgrowth

B1.  Sinners Club

B2.  Black Car Drives South

B3.  El Muerto

B4.  Final Solution