Billy Idol's self-titled debut album eventually broke the
singer in America, but not without a struggle. In 1981, he left Generation X
and launched his solo career, borrowing the group's final single, the
dance-rock standard "Dancing with Myself," for his first solo
release, a four-song EP called Don't Stop. Billy Idol was prefaced in June 1982
with the single "Hot in the City," which made the Hot 100, but the
album was given a second breath of life (and a higher chart peak) a year after
its release when its second single, "White Wedding," finally caught
on after an eye-catching video played on MTV and made the Top 40 in July 1983.
An attempt was then made to resurrect "Dancing With Myself," which
was added to the album (the track "Congo Man" being deleted). Those
three songs remain the album's strongest, if only because they are the best
realized as songs; elsewhere, Idol and guitarist Steve Stevens have constructed
a series of dance-rock tracks along the lines of "Dancing With
Myself," mixing quick tempos with slashing guitar chords and occasional
hook elements (a backup choral chant here, a saxophone part there), but
seemingly have forgotten to write real songs to go on top of the tracks. The
result is an uneven collection. This reissue presents only the ten tracks from
the second version of the album.
Ripped to MP3 @ 320kbps
1. Come
On, Come On
2. White
Wedding (Part 1)
3. Hot
In The City
4. Dead
On Arrival
5. Nobody’s
Business
6. Love
Calling
7. Hole
In The Wall
8. Shooting
Stars
9. It’s
So Cruel
10. Dancing
With Myself

I appreciate yr thoughts on this album, but think that you're giving it a bit of a short take. A charging stomper like "Come On, Come On" easily bests the tepid "Hot In The City" (which seems to succeed basically by just repeating the chorus over and over...and over...), and "Shooting Stars" might be one of the loveliest little anti-drug songs released in the eighties, with it's tinkling finger-tap guitar fills and sweeping solo towards the end. Fantastic stuff. Truth be told, I don't really think there's a duff track on here, and find that - unlike REBEL YELL - the non-single tracks are perhaps the stronger ones.
ReplyDelete