Monday, 17 November 2025

Billy Idol - Billy Idol

Billy Idol's self-titled debut album eventually broke the singer in America, but not without a struggle. In 1981, he left Generation X and launched his solo career, borrowing the group's final single, the dance-rock standard "Dancing with Myself," for his first solo release, a four-song EP called Don't Stop. Billy Idol was prefaced in June 1982 with the single "Hot in the City," which made the Hot 100, but the album was given a second breath of life (and a higher chart peak) a year after its release when its second single, "White Wedding," finally caught on after an eye-catching video played on MTV and made the Top 40 in July 1983. An attempt was then made to resurrect "Dancing With Myself," which was added to the album (the track "Congo Man" being deleted). Those three songs remain the album's strongest, if only because they are the best realized as songs; elsewhere, Idol and guitarist Steve Stevens have constructed a series of dance-rock tracks along the lines of "Dancing With Myself," mixing quick tempos with slashing guitar chords and occasional hook elements (a backup choral chant here, a saxophone part there), but seemingly have forgotten to write real songs to go on top of the tracks. The result is an uneven collection. This reissue presents only the ten tracks from the second version of the album.


Ripped to MP3 @ 320kbps

1.      Come On, Come On
2.      White Wedding (Part 1)
3.      Hot In The City
4.      Dead On Arrival
5.      Nobody’s Business
6.      Love Calling
7.      Hole In The Wall
8.      Shooting Stars
9.      It’s So Cruel
10.   Dancing With Myself

1 comment:

  1. I appreciate yr thoughts on this album, but think that you're giving it a bit of a short take. A charging stomper like "Come On, Come On" easily bests the tepid "Hot In The City" (which seems to succeed basically by just repeating the chorus over and over...and over...), and "Shooting Stars" might be one of the loveliest little anti-drug songs released in the eighties, with it's tinkling finger-tap guitar fills and sweeping solo towards the end. Fantastic stuff. Truth be told, I don't really think there's a duff track on here, and find that - unlike REBEL YELL - the non-single tracks are perhaps the stronger ones.

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