Led Zeppelin had a fully formed, distinctive sound from
the outset, as their eponymous debut illustrates. Taking the heavy, distorted
electric blues of Jimi Hendrix, Jeff Beck, and Cream to an extreme, Zeppelin
created a majestic, powerful brand of guitar rock constructed around simple,
memorable riffs and lumbering rhythms. But the key to the group's attack was
subtlety: it wasn't just an onslaught of guitar noise; it was shaded and
textured, filled with alternating dynamics and tempos. As Led Zeppelin proves,
the group was capable of such multi-layered music from the start. Although the
extended psychedelic blues of "Dazed and Confused," "You Shook
Me," and "I Can't Quit You Baby" often gather the most
attention, the remainder of the album is a better indication of what would come
later. "Babe I'm Gonna Leave You" shifts from folky verses to
pummelling choruses; "Good Times Bad Times" and "How Many More
Times" have groovy, bluesy shuffles; "Your Time Is Gonna Come" is
an anthemic hard rocker; "Black Mountain Side" is pure English folk;
and "Communication Breakdown" is a frenzied rocker with a nearly
punkish attack. Although the album isn't as varied as some of their later
efforts, it nevertheless marked a significant turning point in the evolution of
hard rock and heavy metal.
This edition features the latest remastering by Jimmy
Page and includes a bonus disc with unreleased live tracks taken from the
concert held at L'Olympia, Paris, France on October 10, 1969.
Ripped from the 2014 Japanese release to 24bit FLAC
Led Zeppelin; 1
1. Good
Times Bad Times
2. Babe
I’m Gonna Leave You
3. You
Shook Me
4. Dazed
And Confused
5. Your
Time Is Gonna Come
6. Black
Mountain Side
7. Communication
Breakdown
8. I
Can’t Quit You Baby
9. How
Many More Times
Live Paris 1969
1. Good
Times Bad Times/Communication Breakdown
2. I
Can’t Quit You Baby
3. Heartbreaker
4. Dazed
And Confused
5. White
Summer/Black Mountain Side
6. You
Shook Me
7. Moby
Dick
8. How
Many More Times

AJ, Thank you for sharing lzone...appreciated.
ReplyDeletemega*****
Again, Thanks for the comment Heylee. You're very welcome
ReplyDeleteGood Job AJ, thank you very much!
ReplyDeleteYou're welcome Mirkus. I hope you enjoy
DeleteOkay, so I have to ask the question...since CD Redbook is 16bit format...how does one rip it to 24bit...or rather, why would one increase the file size with no added sonic improvement?
ReplyDeleteI understand ripping vinyl to 24bit, but ripping a cd to 24bit just increases the file size without adding anything to the sonic experience...
Or is there something I'm missing here?
I have to admit that I don't really know why a CD would be ripped to 24bit, maybe it's because the original uploader wanted to look kool with the sudden flood of 24bit into the blogosphere a couple of years ago.
Delete