Joe Strummer, a huge influence in my life, passed away at
the age of 50 in 2003. He left behind a legacy that included more than just his
words and melodies in The Clash. His solo albums, not including his posthumous,
dare I say, masterpiece, Streetcore, are
also works of art that are often unnoticed and rarely listened to. One such
album is Earthquake Weather, which, as the
title implies, lives in Los Angeles (where it was recorded) but is dreaming of
the Bayou.
The album is hard for a casual Clash fan to swallow at
first. Released in 1989, nearly a decade since the demise of the Clash,
Strummer pushes his musical acumen towards the synergy of the 1980 masterpiece Sandinista!, which is still being
sorted out by fans in a love-it-or-hate-it fashion. The further Strummer pushed
towards this, the faster casual fans tuned out. Earthquake
Weather would be lost in the haze of the early 1990s.
But I argue that this album, along with Walker (1987), Rock Art and the X-Ray Style
(1999), and Global A-Go-Go (2001), Earthquake Weather is not only a
hidden force of rock music lost in the decadence of the 1980s but also smart,
crafty experiment which – like Sandinista! has
its moments, but overall transports the listener to its time and beyond.
Earthquake Weather is Joe Strummer's first official solo
album after the breakup of the Clash, discounting his soundtrack for Walker.
That it's nearly a disappointment, but manages to rise above its flaws, is a
testament to Strummer's pedigree and abilities. Strummer sticks to his usual
stylistic proclivities, touching on dub reggae, mournful folk, and rock
stompers. The album has its share of delightful highlights. The fast-paced,
eclectic "Gangsterville" and "King of the Bayou" blend dub
and rock jams effortlessly, with Strummer's confident voice echoing over
bombastic backing revelry. "Island Hopping" slows things down, its
tropical folk charm foreshadowing the mature, optimistic route Strummer would
adhere more faithfully to with Global a Go-Go. "Leopardskin Limousines"
and album closer "Sleepwalk" both bristle with emotion, thanks to a
tasteful Spanish guitar, an interesting choppy rhythm effect, and hushed vocal
processing on the former and the latter's subtle, graceful pace. Outside of
these highlights, the remaining songs are quite passable and enjoyable, even
though there's a sense that Strummer went into Earthquake Weather with an
incomplete blueprint. Lonnie Marshall's bass playing frequently recalls Flea's
tackier funk excursions, wailing guitar solos appear haphazardly, and, too
often, Willie MacNeil's drums are too quiet in the mix to allow for the
necessary dynamic punch, and there's a sense that Strummer was just a step or
two away from going a cheesy world beat route at times. If these flaws keep the
album from greatness, at least Strummer's voice and songwriting are engaging
enough throughout the 14 songs that there's never a second where things come
off as dated or rushed. Indeed, the flaws reside only in elements that add
texture and flare, so they're somewhat easily ignored, especially since the
production is so layered and there's so much going on in each song. Earthquake
Weather is a solid, fascinating album, mostly because of Joe Strummer's always
fiery charisma, his impeccable vocals, and his mostly unerring musical
exploration and experimentation. Even when Strummer occasionally goes wrong
stylistically, his conviction is too winning and his passion for music too
strong to allow him to turn in a subpar performance.
Album ripped by Aid @ oneman1001albums to MP3
Joe Strummer; Earthquake Weather
1. Gangsterville
2. King
Of The Bayou
3. Island
Hopping
4. Slant
Six
5. Dizzy’s
Goatee
6. Shouting
Street
7. Boogie
With Your Children
8. Leopardskin
Limousines
9. Sikorsky
Parts
10. Jewellers
& Bums
11. Highway
One Zero Street
12. Ride
Your Donkey
13. Passport
To Detroit
14. Sleepwalk
15. Punk
Rock Blues
16. 15th
Brigade
17. Cholo Vest
18. Baby
O’ Boogie
19. Mango Street

You're welcome
ReplyDeleteThanks for this - especially the singles. Great stuff!
ReplyDeletemerci mec hate d'écouter ça !
ReplyDelete