Skeletal Family divided audiences; in certain quarters
they remain lauded as one of the most adventurous bands linked to the UK 80’s
Goth scene, to others they are remembered as being light weight. For those of
you unaware; Skeletal Family hailed from the heartland of UK Goth; Yorkshire –
Keighley to be precise first getting together in late 1982 taking their name
from the title of the song “Chant of the Ever Circling Skeletal Family” from
the 1974 David Bowie album “Diamond Dogs”. It is a shame Skeletal Family never
gained the recognition, and the accompanying rewards they deserved as this
single perfectly demonstrates how their tribal drumming
and frantic guitars, not to mention Anne Marie’s distinct vocals offered
something different from the musically then shrinking goth scene. Skeletal
Family offered a freshness that the genre was seriously lacking, this is
particularly characterised by Anne-Marie’s powerful vocals as she weaves
beautifully melodic phrases along with the crafted strident bass driven
melodies coupled with shards of icy guitar. As such this single is vitally
important; it demonstrates quite why all the UK’s major labels were in a frenzy
to sign them, it serves as a timely reminder that Goth wasn’t all about dry ice
and deep throbbing bass, though Skeletal Family did conform to the ‘big hair’
rule…
If you had forgotten Skeletal Family or perhaps never
heard of them then "Promised Land" is the ideal starting point for a
journey to the hair spray counter.
The Skeletal Family's 12-inch release of "Promised Land" stands as a masterful snapshot of the mid-1980s UK gothic rock scene at its absolute peak. The extended title track on Side A is a masterclass in atmospheric tension, driven by Roger "Trotwood" Nowell’s propulsive, iconic bassline and Stan Greenwood’s shimmering, post-punk guitar work. What truly elevates the track, however, is Anne-Marie Hurst’s commanding vocal performance; her delivery effortlessly balances haunting melancholy with a fierce, anthemic power. By expanding the song for the 12-inch format, the band creates a hypnotic, dancefloor-ready wall of sound that perfectly captures the moody, urgent energy of the era and explains why it quickly conquered the independent charts.
The B-side offers a fascinating look at the band's stylistic range and history, making this vinyl far more than a one-song showcase. Their reimagining of Ben E. King’s classic "Stand By Me" is a brilliant subversion, stripping away the soul-pop warmth of the original and wrapping it in a dark, brooding, bass-heavy gothic cloak. Following this, the inclusion of "Just A Friend" provides a gritty, nostalgic contrast; recorded in late 1982 during their earliest studio sessions, its raw, unpolished energy showcases the band's punk roots. Together, these three tracks make the 12-inch single a cohesive, essential listen that beautifully bridges the Skeletal Family's primitive beginnings with their most polished, definitive artistic statement.
Ripped to MP3
A: "Promised Land" (Extended Version) – 4:52
B1: "Stand By Me" (A goth-rock cover of the classic Ben E. King track)
B2: "Just A Friend"

i was really keen on them - although in hindsight they weren't much cop.
ReplyDeletehad high hopes for ghost dance ( ann-marie from SF and gary marx from the sisters) but they were shite.
I got intrigued by the Skellies when they toured with T'Sisters and this was by far their best effort before they called it a day. Ghost Dance was a complete let down. As you say, Ann-Marie and Gary Marx should have been a match made in goff heaven, but they were dreadful.
DeleteThere's more crap in my collection that I'll be sharing (In To A Circle/Getting The Fear) in the future, I'll be looking out for your thoughts :))
bone orchard (from brighton iirc).
ReplyDeleteeasily the best birthday party influenced goth/blues band.
no reissues that i have seen. got any of their stuff?
I have some Bone Orchard MP3's...the album Jack and a bunch of singles. Jungle reissued a compilation back in 2012 but I haven't picked up a copy.
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