Immediately, there's no real indication of the
Glaswegians' past as Johnny and the Self Abusers. Life In A Day – Simple Minds'
1979 debut – owes an undeniable debt to Roxy Music and the David Bowie of
Station to Station and Low, mixing curt piano lines and glam rock but also
hinting at a sense of fun that would in later years be wiped clear. Chelsea
Girl even sounds like the hit that would nevertheless elude them for the next three
years.
Simple Minds' astonishingly rapid ascent from humble and
derivative post-punk to platinum and transcendent art pop is just as remarkable
as the descent that followed it. More remarkable is the fact that a fair
portion of the band's fans have such a strict discographic line drawn in the
sand (right at the chart-crashing masterpiece that is New Gold Dream) where
both sides overlap but don't dare cross. While
fans of the band's earlier work essentially drop off with that record (and
choose to live in blissful denial that the band existed after that), those on
the other end are more or less oblivious to what's on the other side. So what's
on that other, earlier side? Five studio albums released within the span of
three years. Five studio albums that range from safe to bold, from impenetrable
to accessible, from strange to puzzling, and from good to pee-your-pants
phenomenal. Life In A Day, the first of the five records released during this
fascinating pre-fame period of Simple Minds' career, is easily the least of the
first five. Despite the growing pains, this is a skilled and assured assemblage
of guitar-heavy post-punk, with Jim Kerr's over-caffeinated voice taking the
lead role. The arrangements are full, direct, and sharply executed. The high
points: the teeter-tottering title track and the J. Geils Band like swagger
(honestly!) of "Someone." The low point: "Pleasantly Disturbed"
an epic Velvet Underground inspired limp that lasts eight very long minutes.
Simple Minds’ debut album “Life In A Day” was originally
released in 1979 on “Zoom Records” (the label run by their then manager Bruce
Findlay), and distributed by Arista Records. The album was produced by John
Leckie, and spawned the singles “Life In A Day” and “Chelsea Girl.”
Taken from the 2012 X5 box to MP3
Simple Minds; Life In A Day
1. Someone
2. Life
In A Day
3. Sad
Affair
4. All
for You
5. Pleasantly
Disturbed
6. No
Cure
7. Chelsea
Girl
8. Wasteland
9. Destiny
10. Murder
Story
11. Special
View
12. Garden
Of Hate

There's a similar line in the sand for Ultravox fans, and I am firmly on the John Foxx side. This is a fine album (with a lovely cover image). My favorite radio DJ back in the early 80's often cued up the deep cut "Murder Story".
ReplyDeleteIt seems strange that a line in the sand for fans of many bands is either a change of personnel or direction (The Cult - Electric for example).
DeleteThe Cult is a perfect example. For a music snob like me there are mixed feelings when a band becomes successful, especially if said band takes a more crowd-pleasing direction. On the other hand, it felt great to crank up "She Sells Sanctuary" on the radio!
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