Themes From Great Cities
It might have come to your attention that I'm not a regular poster of love and understanding, which you will just have to get used to. I will however, have bursts of creativity where I move completely randomly from post to post with no rhyme or reason. I have recently posted a few singles (7 & 12”) and the odd bootleg which have been received very well by all who visit. More of the same will continue as you, dear readers, seem to be enjoying them.
Some of the rips are my own, but many more are from other blogs and I’m just sharing the wealth. If other bloggers out there wish to share the rips from my posts, please as I do, host them yourself. To combat this, the FLAC files that are over 6 months old will be replaced with MP3 files.
Finally I am happy to re-up old posts where the link has expired. Please comment in the relevant posts comments box.
It’s just so dark. Throughout the record there’s a lack of hope for the world and apathy for humankind strewn across the futuristic electro warbles and detached vocals and lyrics heard on virtually every track. On paper, that sounds unpleasant, but in reality it’s a well formed brand of synth-pop that doesn‘t care for commercial approval. It has its own flavour; its own sense of style and a clear idea of what it wants to be - cold futurist music, deployed using (at the time) cutting edge synthesisers to create a danceable, yet moody form of electronic music for those outside the realms of pop’s rose-tinted glasses.
Sure, 'Dare' is a masterpiece and, when it comes down to it; it’s probably a better record than 'Reproduction'. But just because their debut didn’t aim for the charts, doesn’t mean it’s worthless. Whilst the music isn’t as hooky or digestible as it would grow to be; it is infinitely more interesting and thought-provoking. The opener 'Almost Medieval' pounds along with its despair filled beat and subtle background melodies to make one of the tensest tunes on the album, and despite the overall tone, one song managed to find its way onto the UK charts back in the day ('Empire State Human') - almost unbelievable considering its odd chorus: "Tall, tall, tall, I wanna be tall, tall, tall, as big as a wall, wall, wall".
Really, it’s a matter of taste. People who mainly enjoy, easy-to-stomach pop hooks and generic lyrics won’t see the appeal, and would be better off sticking with 'Dare', but those with a penchant for darker and more challenging music will find themselves a ground-breaking record which they might actually prefer to the pop-leaning tendencies on later 'League' albums. It’s best to approach these songs with an ear for curiosity. If you’re looking for a simple pop fix like you’d get with 'Dare', you’ll be disappointed, but if you’re looking to hear The Human League at their earliest and most artily inventive, 'Reproduction' might just delight more than you expect.
Not only is this a towering achievement in the post-punk movement, deserving to be mentioned in the same breath as fellow Mancunian LP's "Closer" and "Real Life," it is arguably one of my favourite, and sadly, most overlooked, debut albums of all time.