Ad-Hoc Posting Schedule

Willkommen Leser, Down-Loader, Lurker und Teilnehmer alle.

It might have come to your notice that I'm not a regular poster of love and understanding, which you'll just kinda have to get used to. I will however, now and again, have bursts of creativity and if it was to please the massed hordes, who chose to visit this insignificant page, to supply some input on the direction and type of music you would like to sample (before going out and buying yourself a copy) this little communication will not have been in vain.

I will also say now that some of the outstanding music already available to sample will be reaching their 30 days without a click threshold, where by they're deleted by the host.


Many thanks for reading this far...and please feel free to interact.



slàinte


Thursday

Here Comes The Flood



The Armoury Show remained largely unheard in their heyday in the mid-1980s, despite featuring several eminent new wave musicians. At the start of that decade, the Dunfermline-born punk band the Skids were coming to natural end, and, after guitarist Stuart Adamson left to form Big Country, singer Richard Jobson and bassist Russell Webb also eventually went in a new direction. Around this time the Manchester-based group Magazine, which had included drummer John Doyle and guitarist John McGeoch, were also dissolving. The latter had also had a stint playing with Siouxsie and the Banshees, and even replaced Adamson briefly in the Skids for a ‘Peel Session’ shortly before they split up in 1981.
Richard Jobson, Russell Webb, McGeogh and Doyle formed the Armoury Show together in 1983, taking their name from a famous 1913 modern art exhibition in New York. Unfortunately they only had a brief existence, but they left us with a gem of a record in the guise of 'Waiting for the Floods', their 1985 one and only album. ‘Waiting for the Floods’ has been reissued as a double CD, with the original album on one CD and a second CD full of remixes, 12" versions and other bonus tracks. 
There was a real array of talent here and it has that distinctive 80's sound to it. It is packed with various other influences from around that era, but has also a brave unique sound slightly ahead of that time. There are echoes ironically of Adamson's Big Country, but the Armoury Show, while mixing together various other 80’s influences, also had their own sound.
The singles on here, "Castles...", plus "We Can Be Brave Again" and "Glory Of Love" could all easily have been arm-waving, lighter-in-hand anthems enough to turn Jim Kerr a sickly shade of green, but only a handful of people bought them. Life isn't fair, is it?
I don't know, of course, but I would imagine Richard Jobson is immensely proud of this record. Four people came together and created something magical; it's just a shame that so few of us shared that magic.

Get a copy if you can, then leave a comment, something along the lines of "Yep, you were right, the Armoury Show were brilliant".
Waiting for the Floods is 40 odd minutes, captured in amber, perfection!